King Tubby – King Tubby’s Hometown Hi-Fi (Dubplate Specials 1975-1979)

Label: Jamaican Recordings – JRLP051
Format:
Vinyl, LP, Compilation
Country: UK
Released: Jun 2013
Genre: Reggae
Style: Dub

A1 Dub Of Rights
A2 Higher Ranking
A3 A Stalawatt Version
A4 King Tubby’s In Fine Style
A5 African Sounds
A6 Channel One Under Heavy Manners
B1 Channel Get Knockout
B2 The Champion Version
B3 Stealing Version
B4 Satta Dread Dub
B5 Crazy Dub
B6 Dreada Version
B7 No Love Version

King Tubby’s Hometown Hi-Fi was one the great Sound Systems in Jamaica.

It also proved a fantastic outlet for the Dub Plate Specials cut at Tubby’s studio, providing exclusive cuts to be played out and to entice the dance’s audience. The tracks at the time were mainly cut over producer Bunny ’Striker’ Lee rhythms, that Bunny stored at Tubby’s studio which was in fact his home, 18 Drumilly Avenue,Kingston, Jamaica.The versions were given exclusive plays at Tubby’s sound before some finding their way on to vinyl, as the b-side version cut to it’s a-side vocal, proving so popular that the records were often brought for its version side over its vocal counterpart. King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music, after discovering a mistake that made a ‘serious joke’ (more of which later…) they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard… the Remix / Version cuts to an existing vocal tune. Osbourne ‘King Tubby’ Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingston’s National Technical College and on two correspondence courses from the U.S.A… When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mother’s home. His work in the early days included winding transformers and building amplifiers for Kingston’s Sound Systems. Tubby built his first Sound System in 1957 playing jazz and rhythm & blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close.Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a homemade mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room. Tubby and Striker were at Treasure Isle Studio’s one day while Ruddy from Spanish Town was working with the engineer Byron Smith…. “Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said ‘No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddy’s that Saturday night a dance was in progress and when they played the vocal to the tune… then he said we’re going to play ‘Part Two’. They never called it ‘Version’.. and then he played the rhythm track.The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said ‘‘Tubbs the mistake we made was a serious joke. It mash up Spanish Town! The people went wild. So, you have to start to do that now ‘cause when the man put on the ‘Part Two’ everyone start singing this song. It played about twenty times. I said you try Tubbs!’…Well the next Saturday night now when Tubby strung up down the farm U Roy said he’s going to play ‘Part Two’ but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.’’ Bunny ‘Striker’ Lee Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. We have compiled a selection of cuts that were all tried and tested on Tubby’s Home Town Hi Fi Sound System and worked a great set of Bunny Lee’s rhythms in fine style. All Killer No Filler … Hope you enjoy the set.